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About the Composer

Homar Sánchez Díaz

Homar Sánchez Díaz was born in San Luis Potosí, Mexico, in 1990. A biophysicist by profession and a physics teacher. He is a self-taught musician, conductor, and composer with a deep interest in the ethnic and pre-Hispanic rhythms, the folk music from the different regions of Mexico, and the new experimental and performative approaches of...
Graphite Publishing

Graphite Publishing

Solsticio (Solstice)

Homar Sánchez Díaz

A ritual invocation of light for the Winter Solstice.

Difficulty:
Duration:
GP-S007
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for SATB div. choir, TTBB soloists and prehispanic percussion

“Solsticio” will instantly invade your blood stream with its intense soundscape and toe-tapping rhythms. Flute, ocarina, and percussion immediately evoke the historic cultures of Mexica, Maya, Toltec, and other Mesoamerican peoples. The text is a single word, spoken and sung in ten different languages, according to Diaz, “each carrying its own resonance and cultural depth.” Exciting rhythmic ideas develop throughout the piece. Sustained cluster chords and rich harmonies will be familiar and accessible to choirs and audiences alike.

Composer’s Notes

The solstice, both summer and winter, held great significance for the pre-Columbian cultures of Mexico. Civilizations such as the Mexica, Maya, Toltec, and other Mesoamerican peoples developed a profound connection with astronomical cycles, seeing in them the influence of the gods and natural forces upon daily life, agriculture, and religious festivities.

This piece celebrates the winter solstice — a moment of reflection and renewal in many ancient cultures. The four priests, representing the cardinal points, symbolize the bond between heaven and earth, while the choir and pre-Hispanic percussion evoke unity with nature and ancestral tradition.

The text of this piece consists of a single word: light. It is spoken and sung in ten different indigenous languages of Mexico, each carrying its own resonance and cultural depth.

The repetition of this word, across different voices and languages, becomes a ritual invocation. It is both a celebration of diversity and a reminder of the ancestral wisdom that saw in light not only a physical phenomenon, but also a spiritual and cosmic force. The choir and the pre-Hispanic percussion bring these echoes together, illuminating the winter solstice as a moment of reflection, unity, and renewal.

– Homar Sánchez Díaz

Text

Etskuni – Purépecha
Saasil – Maya
Biaani’ – Zapotec
Cak – Kaqchikel (Mayan culture, Guatemala)
Tsibi – Otomí
Tlanextli – Náhuatl (Mexica/Aztec)
Huáneeri – Cora
Thakninīl – Tének (Huastec)
Machiria – Mayo (Yoreme)
Hecïarïya – Wixárika (Huichol)

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