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5. On My First Son (from Epigrams
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About the Composer

Carol Barnett

Carol Barnett writes audacious and engaging music. She is known for breaking the mold with meter changes, differing tonal centers, unusual instrument combinations, and her love of fast tempi. Despite these typical thumbprints, Barnett’s works are diverse, uncovering the needs of each piece and each text with her characteristic integrity. Carol’s varied catalog includes works...

Carol Barnett (Beady Eyes)

On My First Son (from Epigrams, Epitaphs)

Carol Barnett

A sombre reflection on the unbearable loss of a child

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BE-013.5
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SATB, 4-hand piano

One of Ben Jonson’s most moving epigrams, “On My First Son” is set simply and solemnly, with deep-toned bells in the background. The mixed meters and pauses mirror the distracted disorientation of grief.

Composer’s Notes

Epigrams, Epitaphs was written for the Grand Rapids Area Community Chorus. Director James Clarke wanted a companion piece to Brahms Liebeslieder Waltzes, hence the piano four-hand accompaniment.

– Carol Barnett

Text

On My First Son

Farewell, thou child of my right hand, and joy;
My sin was too much hope of thee, lov’d boy,
Seven years thou wert lent to me, and I thee pay,
Exacted by thy fate, on the just day.
O, could I lose all father, now. For why
Will man lament the state he should envy?
To have so soon ‘scap’d world’s, and flesh’s rage,
And if no other misery, yet age?
Rest in soft peace, and, ask’d, say here doth lie
Ben. Jonson his best piece of poetry.
For whose sake, henceforth, all his vows be such,
As what he loves may never like too much.

– Ben Jonson (1572-1637)

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