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About the Composer

Jennifer Lucy Cook

Jennifer Lucy Cook (she/her) is a composer and lyricist based in Los Angeles. Jen specializes in music for the stage and screen, choral music, and pop songwriting. Recent choral commissions include Cantorum Chamber Choir, Choral Arts Ensemble in Minnesota, and the Utah Valley University Chamber Choir. She is the recipient of the Edwin Fissinger Composition...
Graphite Publishing

Graphite Publishing

Chiaroscuro

Jennifer Lucy Cook

An exploration of contrasts and extremes.

Difficulty:
Duration:
GP-C013
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for SATB div. choir with opt. bowed crotales

Big, bold, exciting, and packed with imagination, “Chiaroscuro” explores the contrast of light and dark; one cannot have sunshine without casting a shadow. Cook pulls out all of the proverbial stops in regards to choral textures: bold ranges, divisi, extended techniques, changes in key and meter, complex rhythms, dynamics, and more. Like the flame of a candle, bowed crotales add the finishing layer of color and musical interest. “Chiaroscuro” is a musical banquet of choral sounds for choir and audience that they will continue to appreciate in repeated performances.

Composer’s Notes

“Chiaroscuro” literally means “light and shadow” in Italian, and is often used to describe paintings that use extreme contrasts of dark and light. Artists like Caravaggio, da Vinci, and Rembrandt famously employ chiaroscuro techniques, and I am completely captivated by the way these extremes coexist in art to create dramatic beauty.

As always, life imitates art in the way these extremes coexist. Ignoring pain in favor of pleasure is a fool’s errand, just as depicting light without shadow results in blankness. “Any glow that I pursue brings an umbral partner too.”

Throughout this piece, I explore the extremes of dynamic as you’d expect in a piece about contrast. At the same time, not every “light” is consonant, nor is every “shadow” dissonant, just as life’s binaries are not clean cut. In the middle of the piece, the sections of the choir each have repeating patterns, like gears in machine that might produce a glow from a lightbulb. I imagine a dramatic lighting display accompanying the varying textures made by the choir and the bowed crotales, and by the end of “Chiaroscuro” I hope to find a bit more peace with both the light and the shadow.

– Jennifer Lucy Cook

Text

Ah, chiaroscuro

A filament, a wire
The element of fire
A filament, a wire
Hope in sorrow

One is never without the other
Though I favor the brightest color
One is never without the other:
Light and shadow
Light and shadow
Light and shadow

A votive lit with muttered prayer
Charged the current in the air
Electric candles overhead
Lightbulb moment: living dead

A filament, a wire
The element of fire
A filament, a wire
Almost holy

Near the luminous gilded halo
There’s a gloom at the edges waiting
Near the luminous gilded halo
Shadows follow

Minimal, but not alone
A double-sided monochrome
Any glow that I pursue
Brings an umbral partner, too

And though my muscles know the fight,
I cannot sever dark from light
And though my muscles know the fight,
I cannot sever dark from light
I cannot sever dark from light

Ah, chiaroscuro
Chiaroscuro
Chiaroscuro

– Jennifer Lucy Cook

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