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About the Composer

Timothy Hoekman

Composer Timothy Hoekman has written in many genres and has works published by Theodore Presser, Colla Voce, Plymouth Music Company, Recital Publications, and Classical Vocal Reprints. He was recently announced as the winner of the Delta Omicron 2025 Triennial Composition Competition for his Bagatelles for Clarinet and Piano, and in 2002 he was the MTNA-Shepherd...

Timothy Hoekman Music

Emily’s Words

Timothy Hoekman

Singing and speaking Emily Dickinson’s words about words.

Difficulty:
Duration:
THM-135
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Soprano, flute/alto flute, clarinet, cello, piano

This quintet uses four short Emily Dickinson poems about words and their power, beauty, and limitations.

Composer’s Notes

Emily Dickinson wrote poems about many topics, including words. This chamber piece includes four of Dickinson’s short poems about words. Themes include the inadequacy of words to encapsulate an abstract concept such as beauty, which needs to be perceived by the senses rather than described by words; the importance and heaviness of words; the beauty of unspoken words; and the life of words, which, for the poet, begins when they are spoken—or sung. The singing Emily of this piece delivers her words in four ways: singing, speaking in rhythm on approximate pitches (Sprechgesang), speaking in rhythm without specific pitches, and speaking without specified pitches or rhythm. The music of the first section is playful, with the instruments tossing around various motives. The flute introduces the main melody of the second section, followed by the same melody in canon at a minor ninth between the clarinet and cello, and then another canon between the flute and clarinet. The lyrical third section includes many cross-rhythms, ending with exuberant 16th-note runs in the four instruments, leading to a couple of static bars with trills, which serve as a backdrop for the recitation of the fourth poem. That same poem is then sung with a return of the playful music from section one. -Timothy Hoekman

Text

To tell the Beauty would decrease

To state the Spell demean –

There is a syllable-less Sea

Of which it is the sign –

My will endeavors for its word

And fails, but entertains

A Rapture as of Legacies –

Of introspective Mines –

Could mortal lip divine

The undeveloped Freight

Of a delivered syllable

‘Twould crumble with the weight.

The words the happy say

Are paltry melody

But those the silent feel

Are beautiful –

A word is dead

When it is said,

Some say.

I say it just

Begins to live

That day.

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