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Joshua Shank

The music of Boston-based composer, Joshua Shank (b. 1980), has been called “jubilant…ethereal” (Santa Barbara News-Press), “evocative and atmospheric” (Gramophone), and “emotionally charged” (Boston Classical Review).  He has been commissioned by organizations such as the Lorelei Ensemble, the Cincinnati Conservatory of Music, the Choral Project, the American Choral Directors Association, and the Association for Music...

Joshua Shank (B&F Music)

The oak tree and the cypress

Joshua Shank

A musical blessing about the separate togetherness of marriage.

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Duration:
BF-052
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SATB, a cappella

This choral work sets Kahlil Gibran’s iconic meditation on marriage to music, illuminating love as a balance of unity and individuality. It’s a meditation on love that holds, but never confines.

Composer’s Notes

I never tire of Kahlil Gibran’s writings from his landmark 1923 book, The Prophet. It’s been translated into over 100 different languages and is one of the best-selling books of all time (it has never been out of print). When a friend of mine asked me to write a piece for his upcoming wedding, I knew I’d find something in Gibran’s writings that would be appropriate and, as usual, the Lebanese-American poet didn’t disappoint.

The book concerns itself with the fictional prophet, Al Mustafa, who is about to embark on a ship that will take him back to his homeland from the fictional city of Orphalese. As he sets out on his journey, he is approached by a group of people with whom he engages in profound conversations about life and the human experience. One of these people in particular, a woman named Almitra, is deeply moved by the prophet’s wisdom and she ends up serving as his spiritual counterpart in the narrative, guiding the flow of his teachings. Her presence and inquiries prompt the reflections that form the core of The Prophet.

Gibran’s musing on the subject of marriage reminds the reader that marriage is a celebration of love that honors individuality and mutual respect within unity rather than some sort of merging of identities. Though there is a connection, each partner remains distinct. This idea led me to use the Tingsha bells to sort of “crack open” the listening space because they’re made up of two separate bronze cymbals joined together that have to work in conjunction with one another to make a beautiful sound.

-Joshua Shank

Text

Then Almitra spoke again and said, And what of Marriage, master?
And he answered saying:
You were born together, and together you shall be forevermore.
You shall be together when the white wings of death scatter your days.
Ay, you shall be together even in the silent memory of God.
But let there be spaces in your togetherness,
And let the winds of the heavens dance between you.

Love one another, but make not a bond of love:
Let it rather be a moving sea between the shores of your souls.
Fill each other’s cup but drink not from one cup.
Give one another of your bread but eat not from the same loaf.
Sing and dance together and be joyous, but let each one of you be alone,
Even as the strings of a lute are alone though they quiver with the same music.

Give your hearts, but not into each other’s keeping.
For only the hand of Life can contain your hearts.
And stand together yet not too near together:
For the pillars of the temple stand apart,
And the oak tree and the cypress grow not in each other’s shadow.

-Kahlil Gibran (1883-1931)

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Music from Joshua Shank (B&F Music)

  • Wanderer's Nightsong cover

    Wanderer’s Nightsong

    Joshua Shank

    Difficulty:
    Duration:
  • Your children (are not your children) (Piano Score) cover

    Your children (are not your children) (TTBB Piano Score)

    Joshua Shank

    Difficulty:
    Duration:
  • Rest in Power cover

    Rest In Power

    Joshua Shank

    Difficulty:
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  • howl

    Joshua Shank

    Difficulty:
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