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Singkap Siaga SSA (Practice Tracks) cover
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About the Composer

Tracy Wong

Dr. Tracy Wong hails from Malaysia and is a choral conductor, music educator, composer, vocalist, and pianist. She advocates for repertoire-based music education by writing pieces that are teaching tools for singers to develop vocal technique, musicianship skills, and artistry. As part of her continued search to define her Chinese-Malaysian-Canadian identity, Dr. Wong’s music also...

Tracy Wong Series

Singkap Siaga SSA (Practice Tracks)

Tracy Wong

A gutsy and fiery piece which is inspired by the almost-extinct Malay tradition of shadow puppet theatre and its music – Wayang Kulit Kelantan.

Difficulty:
Duration:
TW-004.4PT
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  • Singkap Siaga
    View SSA Score

Download audio practice tracks for Tracy Wong’s “Singkap Siaga” for SSA, piano, and percussion.

Includes full access for 1-50 singers. These tracks are sold in batches of 50, so please round up the number of singers in your group to the nearest multiple of 50. Example: 42 singers = Qty. of 50 in your cart.

Because of the cultural content of my music, I manage all aspects of the recording and production of learning tracks of my music, and I am delighted to have Graphite be the distributor of these learning tracks. I take pride in doing my best to make sure that these are representative of me and are “ethically-sourced”. This means that the audio recordings and learning tracks for my own music would be edited and/or recorded by choral musicians who speak the language(s) I set music to, and have the lived experience of the culture which I do my best to honour through my music. These musicians are paid for their time, experience, skill, and artistry. I also commit 10% of income earned from my choral works, learning resources, and workshops on Malaysian-themed choral/vocal/composition/music towards funding Malaysian artists and music educators I collaborate with on current and future artistic & educational initiatives.

All purchases will have a packet of audio tracks (the various part-dominant tracks, full mixed track, pronunciation guide).

About the tracks:

  • These rehearsal tracks are recordings of my own voice, singing all vocal parts. I have designed them (with the help of my friend in Singapore, Cherie Chai) for the benefit of distant / isolated singing in your personal spaces, and to encourage independent learning. These audio tracks work best with earphones / headphones on.
  • These tracks would provide the pronunciation, style, and tone that is appropriate for the performance of this piece.
  • The tracks are professionally mixed so singers are ensured high quality audio recordings to support their learning!

Important licensing & purchasing terms: The purchase of this resource allows your choral organization to distribute it to your singers and staff for their own learning at any time, but not to be duplicated, edited in any way, and/or shared beyond the organization.

Thank you for supporting ethical consumption of self-published music!

Tracy Wong

Composer’s Notes

“Singka Siaga” (SSA) was commissioned in 2020-21 by Sonic Timelapse Project and members of its Conductors Commission Club. As a partner composer of the Project, I had the immense privilege of reading and absorbing the content submitted by the choral communities in Canada who are experiencing the global COVID-19 pandemic. This piece is based on my reflections of these submissions, as well as my own experiences.

I drew inspiration from the almost-extinct Malay tradition of shadow puppet theatre and its music – Wayang Kulit Kelantan. I remember learning how to make these puppets in school in Malaysia. This artform reminded me how light and shadow are equal in beauty, thus shifting my perspective of “shadow” and “darkness” having negative connotations. Throughout my research on this tradition, I have been drawn to a scene in the show where the Dewa Panah (two Arrow Gods, one good and one evil) descend from the sky and battle each other. Neither wins. Life goes on in a balance.

The piece is 5% text (Singkap Siaga) and 95% vocables, based on the pre-existing vocal equivalent of the stylings and tone of the traditional instruments used in the Wayang Kulit Kelantan shadow puppet theatre practice – gong, dak, ding, dong, tsak, tsng. The rhythmic elements and patterns are also inspired by the music accompanying the Dewa Panah scene. Together with body percussion, this piece has a gutsy and fiery energy that hopefully brings singers to a positive headspace, especially when practicing alone.

I am grateful to Sonic Timelapse Project and the following members of the Conductors Commission Club for funding the SSA version of this piece: Kathleen Allan (Toronto), Julia Davids (Chicago), Heather Fraser (Halifax), Laura Hawley (Edmonton), Jackie Hawley (Ottawa), U of A Augustana Music Program, and Sonic Timelapse Project.

My heartfelt appreciation goes to the choral communities who have participated in this Project. It is an honour to be a part of this memorable, vulnerable, brave, and collaborative music-making process. The voice is far from fragile!

-Tracy Wong

Text

Singkap = to open, to reveal, quick change
Siaga = ever ready

$1.00 per set

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