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About the Composer

Saunder Choi

Saunder Choi is a Los Angeles-based Filipino composer and choral artist whose works have been performed internationally by various groups including Conspirare, the Philippine Madrigal Singers, Santa Fe Desert Chorale, Los Angeles Master Chorale, Pacific Chorale, World Youth Choir, Brightwork New Music, People Inside Electronics, and many others. As an arranger and orchestrator, Saunder has...

Saunder Choi Music

Our Streets, A Symphony Again

Saunder Choi

“Our Streets, a Symphony Again” is a commissioned piece based on the collaborative poem “Too early to celebrate?” by West Hollywood poet laureate Brian Sonia-Wallace, celebrating the city’s diversity and capturing the post-pandemic anticipation and excitement of reopening.

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Duration:
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SSA and piano

Experience the captivating power of Our Streets, a Symphony Again, as it sets the playful and thought-provoking poem “Too early to celebrate?” by West Hollywood’s poet laureate, Brian Sonia-Wallace. Commissioned for VOX Femina Los Angeles’ concert, Made in LA: Identity and Belonging in the City of Angels, this extraordinary performance celebrates diversity, reopening, and the post-pandemic spirit with a collaborative masterpiece. Join us for a mesmerizing journey through history, community, and personal reflections that resonate with all.

Composer’s Notes

Our Streets, a Symphony Again is a setting of the playful poem Too early to celebrate? by current West Hollywood poet laureate Brian Sonia-Wallace. The piece was commissioned by VOX Femina Los Angeles for their March 2023 concert – Made in LA: Identity and Belonging in the City of Angels – a concert that celebrates the city’s diversity.
The poem was commissioned by the city of West Hollywood as it began to reopen from COVID restrictions. It was written as a collaborative work that includes words and memories of its diverse residents answering the questions: What does “reopening” mean? What’s the same/ different? How does history fit at that particular time and space?
The text’s ability to capture the city’s history of harboring the LGBTQ+ community spoke to me as a gay immigrant who has found home in Los Angeles – a place where I am fully able to celebrate my different intersectionalities. Moreover, as someone who was holed up in LA for the entirety of the lockdown, the poem perfectly encapsulates the post-pandemic anticipation, excitement, and uncertainty that we all experienced.

– Saunder Choi

Text

The sunset strip
echoes, jacarandas bloom bright after barren months.
Our streets symphony again wild beyond gardens,
blaze honey
disco
french horns
& orange sherbet glow.

You, dear, never stopped being a proud march, a palm frond in ragged wind —
yes, you curled up
in last winter’s hush.
This city threads us
lonely
a plastic oasis of skin
sweaty with starlight.

But now it’s time for
gogo boots & guitar strings, rooftop pools & history between your lips
like a cold margarita
while the hot asphalt
dances.
Each of us a song:
equal parts party and protest.

Won’t you walk with me?
My glam aunts, my ferocious uncles,
my frankest friends — my chosen family, look at all we have lost.
All that survives.
We are a house
built
on bones. We are dancing.
Dancing on bones.

-Brian Sonia-Wallace
A collaborative poem using words and memories contributed by West Hollywood residents

$2.50 per licensed PDF

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Music from Saunder Choi Music

  • In May cover

    In May

    Saunder Choi

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  • Blessed is the spot, and the house

    Saunder Choi

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  • Lakbay ng Agila (Eagle’s Flight)

    Saunder Choi

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  • Meet Me for Noche Buena (SSAA)

    Saunder Choi

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