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About the Composer
Mari Esabel Valverde
Mari Esabel Valverde
Look Down, Fair Moon (SSA)
Seeking to inspire contemplation and call for the reconciliation and mending of our people.
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Look Down, Fair Moon
for SSA chorus (div.) and piano
This nocturne is a setting of poetry contemporary with the American Civil War. As the piano paints images of the moon and rain, “Look Down, Fair Moon” is sung in the spirit of an elegy, seeking to inspire contemplation and call for the reconciliation and mending of our people.
Composer’s Notes
This nocturne is a setting of poetry contemporary with the American Civil War. With a prayerful tone, in imperative tense, Whitman pleads for calm and healing for those who are wounded or fallen. The images of moon, “nimbus” or rain clouds, and night are all relevant. During the night, the living recover from the stresses of the day; the rain falling from the sky is a metaphor for cleansing water or tears; and of course, the mysterious beaming moon is an unchanging source of spiritual nourishment. Every time we are made aware of the unspeakable carnage of war or terrorism, foreign or domestic, we are compelled to ponder our humanity and our mortality. In the spirit of elegy, I want to inspire further contemplation and call for the reconciliation and mending of our people.
“Look Down, Fair Moon,” in its original voicing, was commissioned by Texas Music Educators Association Region 2 and was premiered in November 2015 at Margo Jones Performance Hall at Texas Woman’s University by the All-District Treble Choir under the direction of Cheryl Wilson. The revoiced SATB version was commissioned by a consortium of thirteen ensembles in the United States and was premiered throughout the 2023-2024 concert season.
-Mari Esabel Valverde
Text
Look down, fair moon,
and bathe this scene,
Pour softly down night’s nimbus floods
on faces ghastly, swollen, purple,
On the dead on their backs
with arms toss’d wide,
Pour down your unstinted nimbus,
sacred moon.
-Walt Whitman
“Look Down, Fair Moon” from Leaves of Grass (1881)
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