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About the Composer

Norman Mathews

Norman Mathews’ Rossetti Songs, to Christina Rossetti poetry for mezzo-soprano, piano, flute, and cello, was recorded by Navona Records (NV5827). His art songs have been performed at the Kennedy Center. Ye Are Many—They Are Few, Cantata for a Just World, for four singers and piano, received a Puffin Foundation grant and was premiered at The...
Graphite Publishing

Graphite Publishing

Here the Frailest Leaves of Me

Norman Mathews

Harmonically and melodically, here Mathews summons the hues and contours of Poulenc.

Difficulty:
Duration:
GP-M001.2
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  • Songs of the Poet
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voice, piano
from Songs of the Poet

Composer’s Notes

Songs of the Poet is a song cycle, not in the sense of telling a narrative, but rather in depicting some of the major themes set forth by Walt Whitman—albeit set with a dramatic arc. The composer chose a rather traditional tonal framework for the songs because he felt that this best conveyed the intense passions portrayed in the poetry. The cycle begins on an ambiguous D-major-minor tonal center but ends triumphantly in D major. In all of Mathews’s songs the piano plays an equal role with the singer. His grouping of Whitman poems deals with the essentiality of love to the human spirit and its redeeming qualities, even when unrequited; the enormous importance of music and nature to Whitman’s writing; how the artist’s work mirrors the essence of his being; and the transcendence of the soul. The title for the cycle was chosen because of the inordinate number of instances in which Whitman refers to his poems as songs.



“Here The Frailest Leaves of Me” is the simplest and most melodically accessible song in the cycle. Harmonically and melodically, here Mathews summons the hues and contours of the great French melodist, Francis Poulenc.

Text

Here the frailest leaves of me and yet my strongest lasting,

Here I shade and hide my thoughts, I myself do not expose them,

And yet they expose me more than all my other poems.



– Walt Whitman

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