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About the Composer

Dale Trumbore

Dale Trumbore is a Los Angeles-based composer and writer whose music has been praised by The New York Times for its “soaring melodies and beguiling harmonies.” Her music has been widely performed in the U.S. and internationally by ensembles including the Los Angeles Children’s Chorus, Los Angeles Master Chorale, Pacific Chorale, Pasadena Symphony, The Singers...

Dale Trumbore

How to Go On

Dale Trumbore

This secular requiem for virtuosic a cappella chorus moves through loss with presence and grace.

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SSAATTBB a cappella, soli

Following the death of a loved one, poet Barbara Crooker asks, “How can we go on, knowing the end of the story?” Secular requiem How to Go On answers this question in eight movements that range from questioning and doubt (“How”) to introspection (“Relinquishment”) to an acceptance of mortality (“When at Last”).

Threading solo voices in and out of the choral texture, How to Go On asks how confront our own mortality after a loss, and how, in the face of that knowledge, we can bring quiet grace back into our daily lives. Ultimately, this work finds beauty, catharsis, and solace in the words of three living poets: Crooker, Amy Fleury, and Laura Foley.

How to Go On was commissioned by Choral Arts Initiative (Brandon Elliott, director) and premiered in July 2017 in Anaheim, CA. This piece is recorded on Choral Arts Initiative’s debut album How to Go On: The Choral Works of Dale Trumbore and has been performed by the Los Angeles Master Chorale, The Singers – Minnesota Choral Artists, and several other ensembles.

The movements of How to Go On were designed to be programmed in a flexible order, and this piece can also be performed in single- or multi-movement excerpts.

Composer’s Notes

Read interviews with the librettists and an essay on the creative process of composing How to Go On at daletrumbore.com/how-to-go-on.

Text

HOW

How can we go on, knowing the end
of the story?

— Barbara Crooker, excerpt from “Some Fine Day,” The Pittsburgh Quarterly, 2007.

HOWEVER DIFFICULT

However difficult you think it might be,
it is yours, this life,
even the failures
are yours,
even the garden, though it be unkempt,
is yours.

— Laura Foley, excerpt from “Autumn Musings,” Mapping the Fourth Dimension, 2006.


TO SEE IT

We need to separate to see
the life we’ve made.
We need to leave our house
where someone waits for us, patiently,
warm beneath the sheets.
We need to don a sweater, a coat, mittens,
wrap a scarf around our neck,
stride down the road,
a cold winter morning,
and turn our head back, to see it—
perched on the top of the hill, our life
lit from inside.

— Laura Foley, from Syringa, 2007.


RELINQUISHMENT

I am looking at pale blue ponds of melted ice
on a frozen river
and in them perfect clouds passing.
Wind sends ripples along the water
and trees cut sharp lines into the sky. Soon
it will be gone, all of it
and I will be sitting in darkness,
sitting by a dark window, glad
for having seen this earth,
her elegant grace,
how she turns away from the sun.
And I will be learning, again,
how to give it all up by simply turning.
How to give it up to darkness,
all you love. All of it.
How to give it up again and again.

— Laura Foley, from Syringa.


REQUIESCAT

Let us go, let go with the few roots
you have left clinging to this earth,
pull free, like the clean snap of a carrot
or radish, let us go, shake off this dirt,
let go, let go of your family, their story
hasn’t been told, yours is already written,
let go of the world, its sweetness and sorrow,
let go of your friends, we will cry, yes,
but we will not forget you, let go,
let go your fierce will and stubbornness,
it served you well, now let it go,
your courage will remain, let your daughters
become women, your husband lie in his bed of pain,
your long journey is over, theirs is beginning,
let us go, become spirit and light, spring rain,
fly away from this prison of bone, let go,
wait for us, we’ll talk again later,
I am here by the phone, waiting for the call,
for this long suffering to be over,
let it go, your work is done,
soon we will bring you to the river,
bring your ashes to the current, let them flow free,
earth, fire, cinders, rain, wait for us
on the other side of the river, let us go.

— Barbara Crooker, from The White Poems, 2001.


KNOWING THE END

How can we go on, knowing the end
of the story?

— Barbara Crooker​

SOMETIMES PEACE COMES

Sometimes peace is like this:
endless and gentle and soft
and no compulsion to go
anywhere. And even the fire
you walked through,
even the trail of ashes
is gone, not even a memory
in your heart, and even the sun is still,
unmoving and quiet,
and you have stepped into
a place beyond time,
beyond sadness and form.

A wide, high plain
where in the endless, deep silence
you find out what it is, what it is,
and your part in it.

— Laura Foley, from Syringa.


WHEN AT LAST

When at last I join the democracy of dirt,
a tussock earthed over and grass healed,
I’ll gladly conspire in my own diminishment.

Let a pink peony bloom from my chest
and may it be visited by a charm of bees, who will then
carry the talcum of pollen
and nectar of clover to the grove where they hive.
Let the honey they make be broken
from its comb, and release from its golden hold,
onto some animal tongue, my soul.

— Amy Fleury, from Sympathetic Magic, 2013.

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