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About the Composer
Joshua Shank
Graphite Publishing
Daughter Ecstatic
A reimagining of Handel’s “Rejoice Greatly…” – familiar bits of the famous melody are transformed into a modern choral work.
SATB, soli quartet, a cappella
This work is a “reimagining” of Handel’s famous soprano aria “Rejoice Greatly, O Daughter of Zion” from Messiah. In true Baroque fashion, Shank employs the concept of “concerto” by reducing the choir to a quartet in the middle section. Audiences will delight in hearing familiar bits of the famous melody transformed into a modern choral work.
Composer’s Notes
One of the warhorses of choral repertoire for the “holiday” season has always been Handel’s oratorio, Messiah. I love this piece dearly but I’ve always felt it suffered from a bit of overexposure so, when I was asked to write something for a December concert series, I jumped at the chance to update something from the old warhorse. What I ended up deciding on was a soprano aria from Handel’s piece and then tried “deconstructing” the basic elements before folding them into my own harmonic language. It begins with an ecstatic explosion of sound from the choir which eventually settles down into the recognizable melodies from the aria. The middle section collapses into a soli quartet before the choir signals the return of the original material.
“Daughter Ecstatic” was commissioned by The Singers – Minnesota Choral Artists (Matthew Culloton,
conductor) and received its premiere on December 4, 2010.
– Joshua Shank, 2017
Text
Rejoice greatly, O daughter of Zion; Shout, O daughter of Jerusalem: behold, thy King cometh unto thee. He is the righteous Savior…And he shall speak peace unto the heathen.
– Zechariah 9:9, 10
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