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About the Composer

Mari Esabel Valverde

Award-winning transgender Mexican-American composer Mari Esabel Valverde has been commissioned by the American Choral Directors Association, Boston Choral Ensemble, Cantus, the Gay and Lesbian Association of Choruses, Los Angeles Master Chorale, One Voice Mixed Chorus, Portland’s Resonance Ensemble, Seattle Men’s and Women’s Choruses, the Texas Music Educators Association, and the University of Michigan Men’s Glee...

Mari Esabel Valverde

Home

Mari Esabel Valverde

An accessible work dedicated to anybody, who never felt welcome where they are from, seeking a place to call home.

Difficulty:
Duration:
MVC-252
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SSA chorus and piano

“Home” addresses realties of inhumanity ranging from forced displacement and refugees’ experiences to people’s lack of shelter, community, healthcare, and other resources. The choir sings to convey a refusal to accept an unfit home. Eventually, the key shifts from minor to major, and the choir sings with a clear vision of what “Home will be.”

Composer’s Notes

Commissioned for Eagan High School’s treble ensemble Bel Canto, “Home” is dedicated to anybody, who never felt welcome where they are from, seeking a place to call home. This work was composed during a time of escalating violence against immigrants to the United States and Indigenous populations around the world and stochastic terrorism weaponized against transgender and non-binary communities. The author of the text, Devondra Banks, wrote this poem to express her grief upon learning that her friend, a fellow mother, was moving out of state since Texas criminalized the care of transgender children like her daughter. Open to multiple interpretations, Banks’s words address realties of inhumanity ranging from forced displacement and refugees’ experiences to people’s lack of shelter, community, healthcare, and other basic living resources.

The music begins with a declamatory open fifth, followed by a gradually descending stepwise bass line with a melancholic sense of inevitability. Then, “with quiet courage,” the choir sings to convey a refusal to accept an unfit home. Anticipating a shift from G minor to G major, the harmony leading up to the final cadence of the exposition hints at a key change envisioning what home could be. Upon arriving in major mode, the mood picks up, and the choir sings with a clear vision of what “Home will be.” In the end, the same open fifth resounds, in a manner that someone claims their own space, this time, in the place they will call home.

-Mari Esabel Valverde

Text

Home has not been home to me,
Has not been the place where I can rest and sleep,
Has not been quiet books and sun-warmed panes to see,
The wings of butterflies and petals soft and sweet.

Home has stricken me with grief,
For what I’ve left behind and what it took from me,
For what it does not love or care to share with me,
For who I was and who I fight to be.

Home will be a place for me
To bask in welcome and humanity,
To bathe in love and water drawn for me,
To pick fruit from trees grown just for me.

Home will be a place for me
To reap all the good it can give me
To share with those who long for home with me
And wish for it to be a place where all can be.

-Devondra Banks

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