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About the Composer

Katerina Gimon

Composer, improviser, and vocalist Katerina Gimon’s uniquely dynamic, poignant, and eclectic compositional style has earned her a reputation as a distinct voice in contemporary Canadian composition and beyond. Her music has been described as “sheer radiance” (Campbell River Mirror), “imbued…with human emotion” (San Diego Story), and capable of taking listeners on a “fascinating journey of...

Katerina Gimon

Songs of Trees (high voice)

Katerina Gimon

A song cycle exploring themes of rebirth, memory, and resilience inspired by the beauty and magnificence of trees.

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Related Products
  • Songs of Trees
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  • Songs of Trees
    View Low Voice Version
  • Fire-Flowers
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  • Moonset
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  • Still Stands the Oak
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High voice and piano

Songs of Trees is a set of three works for voice and piano set to poems by renowned Canadian Indigenous poet E. Pauline Johnson (1861-1913). The poems chosen for this set are all inspired by the beauty of nature (trees in particular) and explore themes of rebirth, memory, and resilience.

  1. Fire-Flowers
  2. Moonset
  3. Still Stands the Oak

This cycle was commissioned and premiered by baritone Jason Klippenstein on November 13, 2017, at Roy Barnett Recital Hall (University of British Columbia) in Vancouver, British Columbia, Canada.

NOTE: Also available in medium and low voicings, as well as for purchase as individual movements.
Vocal range:
High, D4 – A5
Medium, Bb3 – F5
Low, G#3 – D#5

Text

1. Fire-Flowers

And only where the forest fires have sped,
Scorching relentlessly the cool north lands,
A sweet wild flower lifts its purple head,
And, like some gentle spirit sorrow-fed,
It hides the scars with almost human hands.
And only to the heart that knows of grief,
[Of desolating fire], of human pain,
There comes some purifying sweet belief,
Some fellow-feeling beautiful, if brief.
And life revives, and blossoms once again.

2. Moonset

Idles the night wind through the dreaming firs,
That waking murmur low,
As some lost melody returning stirs
The love of long ago;
And through the far, cool distance, zephyr fanned.
The moon is sinking into shadow-land.

The troubled night-bird, calling plaintively,
Wanders on restless wing;
The cedars, chanting vespers to the sea,
Await its answering,
That comes in wash of waves along the strand,
The while the moon slips into shadow-land.

O! soft responsive voices of the night
I join your minstrelsy,
And call across the fading silver light
As something calls to me;
I may not all your meaning understand,
But I have touched your soul in shadow-land.

3. Still Stands The Oak (poem: The Giant Oak)

And then the sound of marching armies ‘woke
Amid the branches of the soldier oak,
And tempests ceased their warring cry, and dumb
The lashing storms that muttered, overcome,
Choked by the heralding of battle smoke,
When these gnarled branches beat their martial drum.
Still stands the oak.*

— E. Pauline Johnson

*Note the final line “Still stands the oak” is an addition by the composer.

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