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About the Composer
Elizabeth Alexander
Elizabeth Alexander (Seafarer Press)
Kindling: Small Reflections on a Limitless Faith (conductor’s score)
A wide-ranging exploration of the touchstones that bring meaning, inspiration, and wonder to our lives.
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Kindling: Small Reflections on a Limitless Faith
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Pages
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Chosen People
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So Much Radiance
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Strong Braid
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The Chalice of our Hearts
SATB, flute, horn, piano, string quartet
This is the conductor’s score.
“Kindling” explores the touchstones that bring our lives meaning, inspiration, and wonder. Both intimate and universal, this multi-movement work invites singers and listeners into a shared human journey of reflection and discovery.
Inspired by Unitarian Universalism’s Six Sources, Kindling draws together elements that resonate far beyond any single tradition, including lived experience, world religions, science and reason, and the rhythms of the natural world. Small reflections…adding up to a limitless faith.
Some Practical Notes: This work may be performed with chamber ensemble (flute, horn, piano, string quartet) or with piano alone; in both cases choristers use the same choral score (SEA-123-09). The individual movements “Pages,” “Chosen People,” “So Much Radiance,” “Strong Braid” and “The Chalice of Our Hearts” may be performed as standalone pieces. Instrumental Parts are available through Seafarer Press.
Composer’s Notes
When conductor Jason Oby invited me to compose a large choral work inspired by Unitarian Universalism’s Six Sources, I was thrilled. Rather than prescribing what to believe, these touchstones affirm the places we turn to for inspiration, meaning, and purpose. As expressions of shared human experience, these enduring sources resonate with seekers, skeptics, and believers alike.
Summarized briefly, the Six Sources are:
1) Direct experience with mystery and wonder
2) Words and deeds of prophetic people, which challenge us to bring forth justice, compassion, and love
3) Wisdom from the world’s religions and Indigenous traditions
4) Jewish and Christian teachings, which call us to love our neighbors as ourselves
5) Humanist teachings, reason, and science, which warn us against idolatries of the mind and spirit
6) Earth-centered traditions, which celebrate the sacred circle of life
I recognized my own spiritual touchstones in this list – even if it didn’t yet sound like the stuff of music! So I enthusiastically dove into writing lyrics, trusting the poetry would reveal itself.
But whoa, just because I was enthusiastic didn’t mean it was easy! I struggled to find words that would truly sing. During long walks with my husband, I indulged in dramatic laments: “What was I thinking? There’s no poetry here whatsoever! And humanism? I might as well set the tax code.” But with each day I came closer to finding the rhapsodic kernel within each source. (Yes, even within humanism!)
The breakthrough came when I realized I didn’t need to write a sweeping manifesto. The symbol of Unitarian Universalism is not a bonfire; it’s a chalice – a small flame that kindles something deep within each of us. I began paying attention to intimate moments that gesture toward what is shared across religions and philosophies, moments that speak to our common experience of what is sacred and true. What emerged was a set of small reflections on a limitless faith: Kindling.
Individual Movements:
I. First Touch: When my two-year-old son Oliver felt a hydrangea blossom brush against his cheek, he exclaimed, “Mom, that makes music!” Witnessing that moment of wonder was all the inspiration I needed.
II. Pages: The news of the world often evokes sorrow, pain, fear and anger. But alongside hardship there are glimpses of perseverance and quiet determination. I brought that shifting emotional landscape into this song, honoring the courageous actions of those who have come before us, and inviting us to follow their example.
III. Chosen People: My parents were deeply engaged with the stories and questions of Judaism and Christianity, and my childhood was better for it. This song reflects my gratitude for a tradition shaped by compassion, redemption, and hope, as well as a core belief that all people are chosen people.
IV. So Much Radiance: The modest aspiration of this song was to honor all the religions of the world…in under five minutes! What’s a composer to do? As each new faith is revealed, new tonalities emerge. By the end of this song we’ve traveled through all twelve major keys, each illuminating a different facet of truth, with more yet to come.
V. Strong Braid: Despite how much I value rational thought, I’ve always had a wee little aversion to the word “humanism.” Because it’s grounded in science, reason, and rational thought, humanism can sometimes come across as dry and academic. It was clear I needed a metaphor. What if faith is an ecstatic kite, while humanism is the string that keeps it anchored to the ground? Yes! I felt like I finally understood the relationship between these two perspectives. Reason does not limit faith; it allows it to soar to great heights while remaining grounded and healthy.
VI. Where Belief Begins: Earth-centered spiritual practices bring us full circle to where belief first arises in our young hearts, in awe of the natural world and its abundant beauty.
Epilogue: The Chalice of our Hearts: Kindling closes with a simple canon that calls us to stretch beyond our own experience, tending the flame that burns in our own hearts.
-Elizabeth Alexander
Text
I. First Touch
The first touch brings astonishment, then delight:
Water, kitten belly, hydrangea blossom, warm mud.
New ears learn to decipher footsteps and music.
While watching a fuzzy caterpillar, small hearts lean towards God.
II. Pages
On the pages of the morning paper,
People rebuild shattered schools and restore lifeless lakes,
Knit reconciliation out of promise and pain,
And sing to the deathly ill and the newly born.
Constitutions are still being written,
And slaves freed, and truces forged.
We finish our breakfasts and roll up our own sleeves.
III. Chosen People
As children we are enchanted by the apple, the ark, the whale,
The boy with the slingshot, the baby in the barn.
Later we grapple with forgiveness, resurrection and compassion.
Chosen people are everywhere now — in the market, under the bridge.
The next chapters are ours to imagine.
IV. So Much Radiance
Once we set forth in the dark empty hours of the night,
In search of a presence wondrous and unseen,
Guided only by a voice still and small.
Our outstretched hands soon encountered
The grain and brass of Cross and Menorah,
And our fingers traced their contours with reverence and joy.
Only now, as the rising sun illuminates
Wheel and Lotus, Yin and Yang, Star and Crescent, Eagle and Drum,
We begin to behold the limitless:
So much radiance within our reach — even more beyond.
V. Strong Braid
Aloft in the heady air of faith,
Our senses heightened by incense and ether,
We may from time to time become ecstatic paper kites.
We dive and keel and rocket,
Riding each wayward gust with abandon,
Recklessly aspiring to auroral heights —
Yet knowing all the while that we are safe,
Tethered to the ground by a strong braid, a steady hand,
And a mind that appraises the wind.
VI. Where Belief Begins
It comes down to this, in the end.
And in the beginning and middle as well:
Earth, generous and visceral,
Manifested in mountains and hidden within clouds,
Familiar to rhizomes and young knees.
Air and water, faithful channels of change,
Whose currents and cycles nudge germination
All the way through to rot and back again.
What’s more, there’s fire, dazzling and improbable,
Not only in the core of planets and stars
But also in the hollow where belief begins.
Epilogue: The Chalice of Our Hearts
Our search for kindling takes us far beyond our selves —
There we gather truth and mystery.
We return in joy to tend the chalice of our hearts.
-Elizabeth Alexander
© 2015 by Elizabeth Alexander
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