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About the Composer

Katerina Gimon

Composer, improviser, and vocalist Katerina Gimon’s uniquely dynamic, poignant, and eclectic compositional style has earned her a reputation as a distinct voice in contemporary Canadian composition and beyond. Her music has been described as “sheer radiance” (Campbell River Mirror), “imbued…with human emotion” (San Diego Story), and capable of taking listeners on a “fascinating journey of...

Katerina Gimon

In Her Image

Katerina Gimon

A celebration of sisterhood and individuality within a collective.

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SSAA a cappella, with divisi

At its core, “In Her Image” is a celebration of sisterhood as well as an exploration of individuality within a collective. Mirroring the text written by poet Lauren Peat and the journey of self-discovery it describes, the music evokes a sense of curiosity, longing, reflection, and continual growth – with folk-like melodies, interweaving lines, and gradual textural transformation.

The music and text of “In Her Image” were commissioned by Canadian women’s choral ensemble Sirens for their debut album Boundless released on November 13, 2020.

Composer’s Notes

Note from the composer:

Mirroring the poem and the journey it describes, through the music I tried to evoke a sense of curiosity, longing, and at times, uneasiness. To convey this, as the piece unfolds it explores a number of musical ideas and textures, all the while with a steady growing sense of unease underneath (as the search for “her image” continues). Eventually, she sees a glimpse of what she has been searching for somewhere unexpected. The music then begins to shift and settle as she discovers “her image” quite close to where she began her journey.

– Katerina Gimon

Note from the poet:

Every choir is by definition a collective, and therefore a community—of voices, of course, but also of personalities and occupations, of pasts, presents, and futures. A community, in short, of stories. The beauty of every choir, I think, lies in this fundamental contradiction: that it exists as both “one voice” and “many voices.” In Her Image is at once a celebration of sisterhood and an exploration of what it means to be a unison of “one” and “many.”

As with most of my writing, I had to walk through this poem in order to arrive at its ending; I too had to move through the garden, the glade, and the waterfall, in order to settle into the idea that togetherness is, perhaps, less a quest than an acknowledgment of what is already.

Lauren Peat

Text

I caught a glimpse of her image in my garden,

and for weeks tilled sand, silt, and soil, losing myself

to the earth—still I could not root her there.

I caught a glimpse of her image in a nearby glade;

for hours I rushed past the thin limbs of trees, confusing

my breath with their whispering: you will never reach her there.

I rushed as far as a far-off cataract, and caught a silver

glimpse of her image there. How many times my arms parted

its waters—relentless waters that declined to release her there.

I caught a glimpse of her image in a fountain;

with a frantic hand I split the stillness to retrieve her there.

I had all but lost her image, when something in me

settled, then glanced back—

as if it were simply this she had been waiting for.

Or as if I too had waited, and been patient there.

— Lauren Peat

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Music from Katerina Gimon

  • Take This Thread Full Score cover

    Take This Thread/ Le fil que je suis (SATB full score & violin part set)

    Katerina Gimon

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  • Moonset Low Voice cover

    Moonset (low voice)

    Katerina Gimon

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  • Glacier (SATB)

    Katerina Gimon

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  • Boundless (SATB)

    Katerina Gimon

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